Presentation – Chau Say Tevoda, Cambodai

Two symmetrical sanctums, Thom Manon and Chau Say alike in outline and structure and twins likewise in ruin.

Chau Say Tevoda is situated in east of the Gate of Victory of Angkor Thom, over the street south from Thommanon, 500metres (1,640feet) off the street. An enter and leave Chau Say Tevoda by the north passageway. It was inherent the end of the eleventh century-first a large portion of the twelfth century by ruler Suryavarman II in Hindu with taking after Angkor Wat style workmanship.

Chau Say Tevoda and Thommanon are two little landmarks near one another (on the left and right sides of the street) and comparable in arrangement and style.


 In spite of the fact that the exact dates of these landmarks are obscure, they have a place with the best time of exemplary workmanship elaborately and speak to two varieties of a solitary subject of organization. Chau Say Tevoda has decayed more than Thommanon.

Format

Chau Say Tevoda is rectangular in arrangement, with a Central Sanctuary opening to east, an encasing divider with a section tower amidst the encasing divider at the east passageway.

Strolling towards the sanctuary one can see hints of a channel and remnants of a laterite base of an encasing divider.

Passage TOWERS

The passage towers are for the most part devastated aside from hints of the bases and stair routes with etched steps. A raised interstate (3) on three lines of octagonal backings (later than the landmark) and a patio connect the east section tower to a close-by stream toward the east.

PEDIMENTS

At the south of the section a scene delineates the battle of Sugriva and Vali, at the north of the entry (East Side) the reliefs incorporate monkeys, Siva and Parvati on a bull, and apsaras.

Focal SANCTUARY

A long stay with a yard (4) goes before the square Central Sanctuary associating it with the east section tower by an entry raised on three lines of segments of which just follows remain. This long room is secured with an example of blossoms engraved in squares and etched with stone blooms, for example, are seen at Banteay Srei and Baphuon. The three bogus entryways of the Central Sanctuary are enriched with foliage and sections with precious stone molded examples (tablets) and blossoms (on the left); human figures highlight a portion of the groups of foliage in the segments.

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